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Live
Review:
Ashlee
Simpson
In
T.O.
TORONTO
--
It
has
been
almost
six
months
since
the
lip-synch
that
was
heard
around
the
world.
And
Ashlee
Simpson,
who
was
caught
using
a
"guide
vocal"
during
her
Saturday
Night
Live
appearance
last
October,
addressed
the
situation
early
in
her
sold-out
show
last
night
at
Massey
Hall.
"As
you
know
I've
had
a
hard
year
but
I'm
okay
with
that,
and
this
next
song
has
become
my
anthem,"
said
the
20-year-old
singer
while
introducing
her
third
tune,
Love
Me
For
Me.
Clearly,
the
majority
of
screaming,
young,
female
fans
in
attendance
did
love
Ashlee
unconditionally
--
as
many
of
their
waving
placards
stated
--
even
if
the
rest
of
us
may
be
wondering
how
this
pretty,
raspy-voiced
singer
has
sold
over
three
million
copies
of
her
2004
debut,
Autobiography.
It's
not
that
Simpson's
pop-rock-lite
sound
--
reminiscent
of
every
other
teen-appealing
female
singer
out
there
right
now
--
is
that
offensive.
It's
just
not
that
special,
and
hardly
original.
And
in a
live
setting,
the
music
and
the
singer's
weaknesses
became
even
more
apparent.
(The
SNL
guide
vocal
apparently
became
necessary
due
to a
severe
case
of
acid
reflux.)
As
part
of
the
hour-long
show
last
night,
Simpson
did
slip
in a
three-song
acoustic
set
of
Giving
It
All
Away,
Love
Makes
The
World
Go
Round,
and
Hollywood
presumably
to
demonstrate
that
she
was
actually
singing.Frankly
though,
the
hardest
thing
to
ignore
was
Simpson's
butt
cleavage
so
clearly
on
display
at
the
back
of
her
pants,
weighed
down
by a
microphone
battery
pack,
as
she
frenetically
ran
around
the
stage.
(Memories
of
Avril
Lavigne
at
the
MuchMusic
Video
Awards
anyone?)
Simpson,
who
was
making
her
Toronto
concert
debut
last
night,
is a
wired,
hyper
performer
whose
constant
hip-shaking
resembled
a
hula
dancer
on
crack
when
she
wasn't
running
off
stage
to
change
into
yet
another
costume.
(They
ranged
from
blue
fedoras
to
pink
boas.)
And
who
decided
it
was
a
good
idea
for
Simpson,
backed
by a
five-piece
band,
to
tackle
songs
by
two
of
the
most
formidable
frontwomen
of
the
'80s
--
The
Pretenders'
Chrissie
Hynde
and
Blondie's
Debbie
Harry
--
on
Brass
In
Pocket
and
Call
Me,
respectively?
Madonna's
Burning
Up,
which
followed
those
two
covers,
was
a
better
fit.
The
younger
sister
of
big-voiced
pop
diva
Jessica,
Ashlee
Simpson
is
trying
hard
to
forge
her
own
identity
as
she
herself
sings
about
on
the
song,
Shadow.
It's
just
that
she's
so
strident
in
her
efforts
that
any
apparent
talent
evident
on
hook-filled
hits
like
La
La
and
Pieces
Of
Me
is
overshadowed.
It
took
about
two
weeks
for
all
2,500-plus
tickets
at
Massey
Hall
to
be
sold,
so
Simpson
is
clearly
not
in
the
same
league
as
her
contemporary
Hilary
Duff,
who
sold
out
two
shows
at
the
Air
Canada
Centre
back
in
January.
Still,
given
her
album
sales,
don't
feel
too
bad
for
Simpson.
She
has
a
movie
coming
out
in
the
summer
that
was
originally
called
Wannabe
but
has
been
renamed
Undiscovered
--
just
like
one
of
the
songs
she
performed
last
night
from
Autobiography.
Cross-promotional
marketing
wins
yet
again.
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